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THE BRANCH

Environment & Sustainability-Themed Art

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Champoy Lim

UC Berkeley

MFA '21

We begin the poetry of our actions ALWAYS in reflection and acknowledgement to the original  people of the land where our head lays to rest. This recognition allows us to see who we are in  relation to the where of why we are here. This practice brings us to a space of humility within  the island of ourselves. It makes us reflect on our impact as settlers within these indigenous  lands that we occupy and what it means for us to be rooted in it. 

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Kawayan Shelter

I am interested in constructing an installation at the Audubon Center in Deb's Park to integrate bamboo; a material for shelter integral with the cultural identity of my homelands in the Philippines, woven in community with local fallen branches and twigs found on the Butterfly Trail. 

During the days of installation, park goers are invited to learn which fallen branches are helpful to gather, and we will line up and weave them together with twine around the bamboo frame that I will install as the structure's armature. 

Bamboo, or Kawayan as we called it in my first language, is known for its sustainability and thousands of uses in daily life.  In the West, this abundant grass is often known as “invasive,” although, where I am from, they say that if you have access to bamboo, you will never be homeless. 

As we gather, we will think about the way local Californians have practiced land management for thousands of years by clearing underbrush to keep forests hosts to many understory plant species, as well. 

The basic frame of the structure is eight bamboo posts around 4 ft in height that will be spaced out at least 2 feet apart to form an octagon. In the bottom, these bamboo posts are individually connected to flat pieces on the ground that work as a stand.  Thinner bamboo pieces will go into the top part of the posts to add more height to the structure. These will be held together by smaller bamboo pieces that connect them to each other and reinforced with knots. The gathered wooden branches and twigs will be woven together with twine. 

A separate roof frame is made from a repurposed wooden umbrella and is connected to the top part of the main structure with ropes, creating the overall tension that helps keep the structure firm. The general shape is similar to yurts, and other traditional circular dwellings.

In the interior, I will install a painted low circular table of repurposed wood where people can gather, where animals can seek habitat, and anyone can contemplate how we make a home from our cultures and our surroundings and how we all need shelter; fauna, humans, nomads, and migrants alike.

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Ang Tubig Nga Gigikanan Sa Tanang Matang Nga Kinabuhi Dinhi Sa Atong Kalibutan 

Champy Lim, Sarita Doe

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Hidden in Plain Sight

Champy Lim

Aaron Lin

UC Berkeley

Data Science '22

Contact: alin.draws.sometimes@gmail.com

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Life and Death

Aaron Lin

Acrylic

11'' x 11''

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Concentration

Aaron Lin

This concentration is a series of works that shows the impact of humans on the environment and the response given by nature. It asks viewers to be more wary and self reflective of their own actions in the world and brings to light the consequences of human activity in the natural world. Although there are many human actions that lead to severe and deadly implications for the future, not all activities are harmful and some are unknowingly beneficial to the environment.

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Hidden Treasure

Aaron Lin

Acrylic

20'' x 16''

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Murder

Aaron Lin

Acrylic

20'' x 16''x

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Subtle View

Aaron Lin

Acrylic

11'' x 14''

Food Chain

Aaron Lin

Acrylic

20'' x 16''

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World Zoo

Aaron Lin

Acrylic

11'' x 14''

Butterfly Effect

Aaron Lin

Acrylic

11'' x 14''

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One's Trash is Another's Treasure

Aaron Lin

Acrylic

11'' x 14''

Petrichor

Aaron Lin

Acrylic

16''x 20''

Crystal Li

UC Berkeley

Economics '23

Instagram: @_concilliabule_

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Calla Lillies

Crystal Li

Acrylic

12" x 18"

Jamie Scott

UC Berkeley

Society & Environment '23

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Natural Wonders

Watercolor, Paint Marker

4" x 6"

Natural Wonders is a series of three postcards I created meant to represent contemporary ecological issues in an idealized, aesthetic context. I centered on coral bleaching, wildfires, and rising sea levels because I believed they could each offer interesting set pieces in an idealized light. I also wanted to represent ecological issues that have impacted communities that have maintained culturally sustainable relationships with their ecosystems, and have yet been impacted more than others. Since postcards are associated with nostalgia as well as visiting new places, I wanted this media form to create an ironic sense of urgency. The coral bleaching and wildfire postcards could have just as easily been photographs taken in real time, while the sea levels postcard provides an ominous look ahead. The font and phrasing on each of them is meant to drive this sense of irony into almost blatancy, and push the need for direct action taken toward against issues. The stamp's stating "Forever / USA" under an American flag are meant to signify the unsustainable practices we subsist off of in the USA, and the irony of viewing the US as in immortal body when our way of life is so unsustainable and has so many negative impacts on other communities. 

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Ruby Sartain-Miller

UC Berkeley

Psychology, Art Practice '23

Instagram: @rub.bee

Feeding Cal

3-D Architectural Model

This model includes a aquaculture site and green space that provides community space for students at UC Berkeley, while also providing a resource to tackle food insecurity within the student body. Aquaculture and hydroponics are a sustainable agricultural method that reduce food waste and optimize land usage. The 3-D model I’ve made is a design for an aquaculture site and public green space at Pimentel Hall. This space would be built on top of the existing building, and include a large tank of trout, with rafts that float on the surface where leafy greens can be grown. There is also a small chicken coop on the site and several vertical gardens that can grow plants in soil seasonally. In this design, the fish live in the tank in which the greens can grow. Greens such as lettuce, watercress, kale, cucumber, and several others, can be grown in these rafts, while also filtering the water for the fish. The fish feces serves as a fast-acting fertilizer for the plants as well. Both the fish and the vegetables can be sustainably grown and harvested as food for students, and any waste products (unwanted greens, fish guts etc.) can be fed to the chickens. The chickens of course also produce eggs, which can further supplement the university’s Food Pantry.

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Abby Toca

UC Berkeley

Art Practice '22

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Nature

Abby Toca

Digital

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Outdoors

Abby Toca

Digital

Angel Li

UC Berkeley

Landscape Architecture '23

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Just Keep Swimming

Angel Li

Ink, Watercolor

11" x 14"

Questions ?

EMAIL: giftsatberkeley@gmail.com

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