
THE BRANCH
Environment & Sustainability-Themed Art
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Champoy Lim
UC Berkeley
MFA '21
We begin the poetry of our actions ALWAYS in reflection and acknowledgement to the original people of the land where our head lays to rest. This recognition allows us to see who we are in relation to the where of why we are here. This practice brings us to a space of humility within the island of ourselves. It makes us reflect on our impact as settlers within these indigenous lands that we occupy and what it means for us to be rooted in it.

Kawayan Shelter
I am interested in constructing an installation at the Audubon Center in Deb's Park to integrate bamboo; a material for shelter integral with the cultural identity of my homelands in the Philippines, woven in community with local fallen branches and twigs found on the Butterfly Trail.
During the days of installation, park goers are invited to learn which fallen branches are helpful to gather, and we will line up and weave them together with twine around the bamboo frame that I will install as the structure's armature.
Bamboo, or Kawayan as we called it in my first language, is known for its sustainability and thousands of uses in daily life. In the West, this abundant grass is often known as “invasive,” although, where I am from, they say that if you have access to bamboo, you will never be homeless.
As we gather, we will think about the way local Californians have practiced land management for thousands of years by clearing underbrush to keep forests hosts to many understory plant species, as well.
The basic frame of the structure is eight bamboo posts around 4 ft in height that will be spaced out at least 2 feet apart to form an octagon. In the bottom, these bamboo posts are individually connected to flat pieces on the ground that work as a stand. Thinner bamboo pieces will go into the top part of the posts to add more height to the structure. These will be held together by smaller bamboo pieces that connect them to each other and reinforced with knots. The gathered wooden branches and twigs will be woven together with twine.
A separate roof frame is made from a repurposed wooden umbrella and is connected to the top part of the main structure with ropes, creating the overall tension that helps keep the structure firm. The general shape is similar to yurts, and other traditional circular dwellings.
In the interior, I will install a painted low circular table of repurposed wood where people can gather, where animals can seek habitat, and anyone can contemplate how we make a home from our cultures and our surroundings and how we all need shelter; fauna, humans, nomads, and migrants alike.

Ang Tubig Nga Gigikanan Sa Tanang Matang Nga Kinabuhi Dinhi Sa Atong Kalibutan
Champy Lim, Sarita Doe
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Hidden in Plain Sight
Champy Lim
Aaron Lin

Life and Death
Aaron Lin
Acrylic
11'' x 11''
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Concentration
Aaron Lin
This concentration is a series of works that shows the impact of humans on the environment and the response given by nature. It asks viewers to be more wary and self reflective of their own actions in the world and brings to light the consequences of human activity in the natural world. Although there are many human actions that lead to severe and deadly implications for the future, not all activities are harmful and some are unknowingly beneficial to the environment.

Hidden Treasure
Aaron Lin
Acrylic
20'' x 16''


Murder
Aaron Lin
Acrylic
20'' x 16''x

Subtle View
Aaron Lin
Acrylic
11'' x 14''
Food Chain
Aaron Lin
Acrylic
20'' x 16''


World Zoo
Aaron Lin
Acrylic
11'' x 14''
Butterfly Effect
Aaron Lin
Acrylic
11'' x 14''


One's Trash is Another's Treasure
Aaron Lin
Acrylic
11'' x 14''
Petrichor
Aaron Lin
Acrylic
16''x 20''
Crystal Li
UC Berkeley
Economics '23
Instagram: @_concilliabule_

Calla Lillies
Crystal Li
Acrylic
12" x 18"
Jamie Scott
UC Berkeley
Society & Environment '23
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Natural Wonders
Watercolor, Paint Marker
4" x 6"
Natural Wonders is a series of three postcards I created meant to represent contemporary ecological issues in an idealized, aesthetic context. I centered on coral bleaching, wildfires, and rising sea levels because I believed they could each offer interesting set pieces in an idealized light. I also wanted to represent ecological issues that have impacted communities that have maintained culturally sustainable relationships with their ecosystems, and have yet been impacted more than others. Since postcards are associated with nostalgia as well as visiting new places, I wanted this media form to create an ironic sense of urgency. The coral bleaching and wildfire postcards could have just as easily been photographs taken in real time, while the sea levels postcard provides an ominous look ahead. The font and phrasing on each of them is meant to drive this sense of irony into almost blatancy, and push the need for direct action taken toward against issues. The stamp's stating "Forever / USA" under an American flag are meant to signify the unsustainable practices we subsist off of in the USA, and the irony of viewing the US as in immortal body when our way of life is so unsustainable and has so many negative impacts on other communities.





Ruby Sartain-Miller
UC Berkeley
Psychology, Art Practice '23
Instagram: @rub.bee
Feeding Cal
3-D Architectural Model
This model includes a aquaculture site and green space that provides community space for students at UC Berkeley, while also providing a resource to tackle food insecurity within the student body. Aquaculture and hydroponics are a sustainable agricultural method that reduce food waste and optimize land usage. The 3-D model I’ve made is a design for an aquaculture site and public green space at Pimentel Hall. This space would be built on top of the existing building, and include a large tank of trout, with rafts that float on the surface where leafy greens can be grown. There is also a small chicken coop on the site and several vertical gardens that can grow plants in soil seasonally. In this design, the fish live in the tank in which the greens can grow. Greens such as lettuce, watercress, kale, cucumber, and several others, can be grown in these rafts, while also filtering the water for the fish. The fish feces serves as a fast-acting fertilizer for the plants as well. Both the fish and the vegetables can be sustainably grown and harvested as food for students, and any waste products (unwanted greens, fish guts etc.) can be fed to the chickens. The chickens of course also produce eggs, which can further supplement the university’s Food Pantry.



Abby Toca
UC Berkeley
Art Practice '22
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Nature
Abby Toca
Digital

Outdoors
Abby Toca
Digital
Angel Li
UC Berkeley
Landscape Architecture '23
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Just Keep Swimming
Angel Li
Ink, Watercolor
11" x 14"