
THE LEAF
ECO-FRIENDLY & SUSTAINABLE ART
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Strapped
One pair of jean shorts + red string + felt
20'' x 15''
This work done in quarantine was created using items that I could find around the house; the physical act of undoing and manipulating an old pair of jeans was a counter-commentary to the world of fast fashion. Additionally, through both form and content, this form exemplifies how I am both materially and emotionally tied down during shelter-in-place, and how time doesn’t pass by the way it used to. I feel more and more like I only notice it when I am around time-keeping technology.
Cindy Liu
Walnuthill High School / RISD '25
Illustration '25
instagram: sitong.liu_Cindy
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Coral Reef
paper board, chicken wire, magazine, acrylic paint
38'' x 15'' x 14''
Inspired by the coral reef issue that happened during global warming, this piece is a reflection on human behavior destroying our planet. So I used material left from my other project, reuse them by making them into new artwork. Through recycling these materials, I am questioning how much things we have wasted in our daily life, and how much change and art it can bring to the world if we try to recycle them.


Crystal Li
UC Berkeley
Economics '23
instagram: @_concilliabule_
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Train Station
22" x 17"
Made with recycled styrofoam, cardboard, and saran wrap.
Patterns in Nature
10" x 10"
Made with recycled styrofoam.


To Prevent Ascension
Silk and rayon ties, thread, cotton dress shirts, wire, buttons
48” x 73”
"To Prevent Ascension” (2020) began as a highly personal piece but as the work progressed I became concerned with the more collective experience. In this case, the personal addressed the surrendering of my former career (and its staple accessory, the tie) while the collective experience addresses the way in which the ascension of class is hindered through financial systems. A lack of public education about finance contributes to the oppression of marginalized people and reinforces a cycle of debt and monetary subjugation.


The Imposition
100 year-old oak, resin, pigment, steel washers, wire, antique keys, plastic zip-ties, dental floss
48” x 103”
A diseased, 100 year old oak tree in Contra Costa County was in danger of falling on a home, so it was cut down and pieces of it were given to artists for a show at Bedford Gallery in Walnut Creek. This work poses the questions, in what ways does nature impose on progress and how is progress imposing on natural cycles?




Eulogy 36
Silk, rayon and cotton undergarments, thread, plastic sheeting, wire, staples and safety pins
62” x 102”
A Eulogy for loves lost and a memorial to the intimate moments shared between former partners.




In the Absence of Words
Magnetic recording tape, staples, thread
49” x 63”
What happens when the dialogue stops and only the mind and memories are replaying and creating the conversation?

First
Cardboard and zip-ties
18" x 8"
Chronicle
Plastic newspaper bags, elastic cord, gaffer’s tape, aluminum rings, wood, yarn, wire
72”x 136”
Collaboration between Erin Brookey and Creative Growth artists Judith Scott, Dinah Shapiro, Vera Hollins





Jamie Scott
UC Berkeley Rausser College of Natural Resources
Society & Environment '23
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Chronicle
Woodchips, Hot glue, Flowers, Vines, and Hair-ties
9.5" x 6"
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This piece is titled Acousticks and is meant to signify a pair of over-ear headphones. In a class activity I was excited by my classmate’s use of earbuds and wanted to incorporate music into my next piece. I decided to transform earbuds by making a piece of 3D art, since I typically only use two-dimensional media. Listening to music is one of my favorite things to do, I look to it as a release as well as a means of finding inspiration. In some ways I think that music is one of our greatest developments as a species. I wanted to communicate that through natural/biophilic elements both because I wanted to explore materiality with mostly natural materials, and also communicate the musical inspiration that has been rooted in natural sounds. I changed it from earbuds to over-ear headphones because I wanted more surface area to work with around the ears. I wanted the earpieces to emphasize the meaning of them as conduits for music. I represented this through various flowers from my garden. I constructed a basket-like shape out of wood chips that I hot glued to a piece of cardboard to build each earpiece. I hot glued the flowers into the basket and connected the two pieces through several vines and branches I collected from the garden as well. Once I connected the two pieces and made the frame of the headphones, I realized I wanted to create a head portion that could house the headphones. I decided to take the shade off my desk lamp and then set it upside down and on top of a different shade-less lamp. I did this to create a head shape that could also house a light source. The light source is meant to represent the stimulation that comes with listening to music, and the flowers growing outward from that represent the inspiration and growth that I feel from it as well.

Kesi Mae
UC Berkeley
Japanese, Molecular Environmental Biology '24
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National Disaster 2020
Cardboards, Digital Art
8 x 11.5 in
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Abby Toca
UC Berkeley
Art Practice '22
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Paper Wallet
Receipts
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Tree of Life
Binder clips
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Ming Y. Dong
Freedom
Block Printing
21"x 7"
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Like birds, one’s thoughts have the power to transcend physical shackles and travel unimaginable distances. When one’s mind is set free, creativity is released. This piece was made with recycled materials, mostly cardboards.

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An Untitled Series
Block Printing
15" x 7"
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This series documents my exploration of pure geometric shapes, space, and textures, exuding a sense of calm and expansion. This piece was made from recycled materials, mostly tin foil and cardboards.

Music of LoveBlock Printing
Mixed Media
5 " x 7 "
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I combined organic shapes and lines to express the comforting power of music that brings excitement and inspiration to listeners. I also explored the intersection of the visual and the auditory senses. This piece was made of recycled magazine paper.
Lumacasa
Video
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My mother always tells me: “Where you go is where your home is.” -- weird concept. She also says: “A home can be any object: it can be a photo, a pen, a cup you used when you are little…” I realized that home can be more physical with more imagination. In this work, I combine the Italian word "lumaca"," meaning snail, and "casa," meaning both house and home. I want to explore the relationship between "house" and "home," two very similar words with different connotations. I made this piece from sustainable materials. I collected all the dry snail shells from by backyard, used leftover clay and plastics from a yogurt cup for this piece.